Beyond her academic roles, she is a co-founder of , a Vienna-based curatorial collective that connects cinema, art, and socio-political issues through collaborative work. Since 2019, she has also been the co-director of Kaleidoskop - Film and Open Air , an open-air film festival in Vienna. Her professional portfolio includes work as a panelist, moderator, translator, and juror in the fields of film, culture, and media since 2011.
She frequently worked with prominent directors of the genre, such as Mario Salieri, an Italian director known for high-budget, narrative-driven adult features. Her ability to operate under multiple aliases allowed her to cross over between German-language productions ( Junges Gemüse - NeuGIERIG ) and Italian military-themed satires ( Storie di Caserma ). Notable Filmography
The harbor answered, not with a grand disclosure but with a small thing set upon an upturned crab pot: a leather pouch stamped with a single letter in faded ink—W. Inside was a scrap of paper that read, in a hand Suzanna did not know: "Make or mend. Things that are broken prefer being fixed to being forgotten." The line was not a solution, but it felt like a permission. Suzanna began to understand the harbor's method: it responded best to particular griefs, not to vague longings.
Wienold's active years in front of the camera primarily spanned the late 1990s and early 2000s. According to The Movie Database (TMDB) , she holds credits across at least nine notable productions. suzanna wienold
: Used in specific feature videos such as Der Lady Samantha (2004).
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Suzanna Marie Wienold grew up in a suburban neighborhood on the western edge of Milwaukee. The daughter of a civil engineer and a high‑school art teacher, she was exposed early on to both technical drawing and creative experimentation. As a child, she spent many summers sketching the dunes along Lake Michigan and collecting driftwood, materials that later resurfaced in her work. Beyond her academic roles, she is a co-founder
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Suzanna Wienold is a contemporary American visual artist whose practice spans painting, sculpture, and site‑specific installation. She is recognized for integrating natural motifs with abstract expressionist gestures, often exploring themes of memory, place, and the intersection of the built and organic environments. In addition to her studio work, Wienold has been a faculty member at several universities and has contributed to community‑based public art projects across the United States. She frequently worked with prominent directors of the
– Several public commissions address climate change and sustainability, employing recycled or locally sourced materials and often including educational components for school groups.
3️⃣ 🤝 Beyond the numbers, Suzanna’s mentorship program has helped level up their skills—creating a ripple effect of growth. #Mentor
The first night they stayed in a cottage whose lamp burned like an ember. At dinner the keeper—an accordion of a woman named Anja—served them stew and bread dense with seeds. Anja's hands were quick as stories. She spoke in half-questions, as if the harbor encouraged people to speak softly so the lost things would not be startled. "You can ask," she told Suzanna, "but the harbor answers irregularly. Sometimes you get a thing you asked for. Sometimes you get something you forgot you needed. Sometimes you get nothing, and that is its own answer."